I talked about RED vs. Film workflow and went over how RED material made a 35mm editing competition possible.
The coolest part of the presentation was seeing three cuts of "Susannah" shown on a 40-foot screen at full res 1920x1080 HD.
I played back ProRes files from my MacBook Pro equipped with a G-Tech G-SPEED eS connected via an ExpressCard. It worked flawlessly.
I was really excited that Sean Wells--one of the top editors--was able to make it to the panel to answer questions about the editing experience. He offlined his version "Susannah" on a MacBook with FCP, then onlined his final version on an octo-Mac with Adobe After Effects.
It was such a good experience that we've been asked to repeat the presentation at an upcoming Capital Film Arts meeting. If you missed the first presentation, we'd love to see you around for the next one.